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<BiographicalNote textformat="02" language="fre">&#60;p&#62;Kenneth Bertrams est Professeur à l'Université libre de Bruxelles où il enseigne l'histoire économique et l'histoire des sciences et des techniques. Membre du Centre de Recherche Mondes Modernes &amp; Contemporains, ses travaux portent sur les interactions entre science, industrie et États et sur l'histoire des entreprises. Dans ce dernier domaine, il a publié des livres sur l&#8217;histoire du groupe chimique Solvay (2013), le groupe chimique et pharmaceutique UCB (2018) et le brasseur multinational AB-InBev (2019). Ses recherches portent actuellement sur les réseaux philanthropiques entre l'Europe et les États-Unis et sur l&#8217;internationalisme scientifique au cours de la première moitié du 20&#60;sup&#62;e&#60;/sup&#62;siècle.&#60;/p&#62;</BiographicalNote> 
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<Text textformat="02" language="fre">&#60;p&#62;Le musée est devenu l'ennemi suprême de la droite nationaliste, accuse de « cosmopolitisme &#8811;, de "pseudo-universalisme", de "pacifisme" et de "servir les intérêts étrangers".&#60;/p&#62;
&#60;p&#62;Pawe&#322; Machcewicz, historien, fondateur et directeur du Musée de la Seconde Guerre mondiale de Gda&#324;sk, a été limogé par le gouvernement de Droit et Justice immédiatement après l'ouverture du musée au public. Dans son livre, il présente cette histoire comme s'inscrivant dans les guerres culturelles qui déchirent la Pologne comme d&#8217;autres pays d&#8217;Europe et du monde. Cet ouvrage livre une perspective fascinante sur le rôle des musées dans la culture contemporaine.&#60;/p&#62;</Text>
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<Text language="fre">Le Musée de la Seconde Guerre mondiale de Gda&#324;sk incarne l'un des conflits les plus importants et dramatiques ayant ébranlé la culture européenne de la mémoire et de l'histoire publique au cours des dernières décennies.</Text>
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<Text textformat="02">&#60;p&#62;Préface&#60;br /&#62;
« Pawe&#322; est un homme mort »&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;Partie I - Les débuts&#60;/strong&#62;&#60;br /&#62;
Au commencement était un article&#8230;&#60;br /&#62;
Un musée, mais lequel ?&#60;br /&#62;
« La désintégration de la Nation polonaise »&#60;br /&#62;
Les musées historiques&#60;br /&#62;
Entre imaginaires collectif et politique&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;Partie II - Un musée &#8211; instructions de montage &#60;/strong&#62;&#60;br /&#62;
Les premiers mois au sein de la chancellerie du Premier ministre&#60;br /&#62;
Les débuts de l'équipe de Gdan&#769;sk&#60;br /&#62;
Le concours architectural, les travaux archéologiques, la construction&#60;br /&#62;
La constitution de la collection et la création de l'exposition&#60;br /&#62;
Le comité scientifique ou la multiplicité des regards&#60;br /&#62;
Du projet à l'exposition&#60;br /&#62;
Avant l&#8217;orage&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;Partie III - La guerre&#60;/strong&#62;&#60;br /&#62;
Le « point de vue polonais »&#60;br /&#62;
Les visites nocturnes du ministre Glin&#769;ski&#60;br /&#62;
Une course contre la montre&#60;br /&#62;
La commission culture de la Diète et la chasse aux « encyclopédistes »&#60;br /&#62;
Des recenseurs révélés&#60;br /&#62;
Stalingrad au lieu de la Blitzkrieg&#60;br /&#62;
Le finale&#60;/p&#62;
&#60;p&#62;Une histoire à suivre&#60;br /&#62;
Bibliographie&#60;br /&#62;
Index des noms&#60;br /&#62;
Table des illustrations&#60;br /&#62;
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<Text language="eng">&#60;p&#62;These works help show that the major questions facing contemporary societies are part of long time horizons, and thus allow to explore their evolution, but also offer reservoirs of alternative experiences. The collection focuses on research that interacts with other social sciences and integrates their topics into broad geographical frameworks. The series was created for the publication of monographs and collective works that carry a project and go beyond curated collections of articles.&#60;/p&#62;  &#60;p&#62; &#60;/p&#62;</Text>
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<Text language="fre">&#60;p&#62;Ils montrent que les grandes questions qui se posent aux sociétés contemporaines s'inscrivent dans des temporalités longues, permettent d'en explorer l'évolution, mais offrent aussi des réservoirs d'expériences alternatives. La collection privilégie les travaux qui dialoguent avec les autres sciences sociales et insèrent leurs objets dans des cadres géographiques larges. Elle est destinée à la publication de monographies et d'ouvrages collectifs porteurs d'un projet et dépassant le recueil d'articles.&#60;/p&#62;</Text>
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