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<BiographicalNote textformat="02" language="fre">&#60;p&#62;&#60;!--StartFragment--&#62;Valérie Dufour est maîtresse de recherche (FNRS) et professeure de musicologie (ULB). À l'ULB, elle dirige également le Laboratoire de musicologie (LaM), où elle mène plusieurs programmes de recherche.&#60;!--EndFragment--&#62;&#60;!--EndFragment--&#62;&#60;/p&#62;</BiographicalNote> 
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<Text textformat="02" language="fre">&#60;p&#62;Peu étudiées, souvent dispersées, les bibliothèques de compositeur·ices s'apparentent ainsi à des espaces hautement symboliques, à la fois matériels et insaisissables, qui participent pleinement du laboratoire, toujours mystérieux, de la composition musicale. En envisageant la bibliothèque comme un lieu actif &#8211; un carrefour où lecture, appropriation et projection se rencontrent, se transforment et se fécondent &#8211;, ce livre propose de repenser les liens entre pratiques de lecture et imaginaire musicien. L&#8217;ouvrage comprend seize contributions explorant les collections de livres de personnalités musicales aussi diverses que les romantiques allemands du XIXe siècle, Hector Berlioz, Johannes Brahms, Mili Balakirev, Claude Debussy, Maurice Ravel, Henri Collet, Igor Stravinski, Charles Koechlin, Olivier Messiaen, Yvonne Loriod, Benjamin Britten, Luciano Berio, Cathy Berberian, Giacinto Scelsi et Iannis Xenakis.&#60;/p&#62;</Text>
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<Text language="fre">Une musicologie des imaginaires est-elle possible ? Et si les bibliothèques de compositeur·ices constituaient un observatoire privilégié pour en saisir les dynamiques ? Quelle place les livres et la lecture occupent-t-ils dans les processus de création musicale ?</Text>
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